This is my 3rd write-up in a series of site posts about applying color pencil. In my previous posts I coated the differences in Derwent’s pencil ranges and how to discover your stress. It is now time to transfer on to some of the other matters that can affect how your pencils perform. We will be looking at various pencil strokes and, in my bonus video, I protect how your decision of area can alter how your artwork seems to be.


It’s all about distinct strokes

Image of different pencil strokes
Listed here are a number of that I use the most in my own get the job done

Color pencils can be used to build the top realism in your operate or can be unfastened and painterly. It is all about the diverse strokes that you use to apply the pigment that would make the distinction as to the textures you will accomplish. As soon as yet again it is essential to practice these tactics so that you have an understanding of which types to use where and when.

Stippling

Stippling is accomplished only by dotting or tapping your nib to the help. A sharp nib will leave little dots whilst a blunt or rounded idea will leave even bigger marks. You can range your force and also mix various colors into the stipples.

I would use this method on something like a dog’s nose.

Lisa Ann Watkins - Mac
Lisa Ann Watkins – Mac

Scumbling

When you want to produce a easy texture then strokes such as back again and forth or scumbling are ideal for this. Back and forth is only that. You go the pencil in a again and forth movement employing a dependable, even and tight laydown with a conventional force. Gradually the levels will make up to acquire smoothness.

Scumbling is specifically the similar approach but making use of a limited circular movement when laying down the pigment. I will use this approach anyplace that I want smoothness or a shiny, glassy influence this kind of as on eyes. Here you can see I crafted up the shiny eye employing a mix of the two strokes until I attain the complete I am aiming for.

Lisa Ann Watkins - eye detail
Lisa Ann Watkins – element of eye

Hatching & Cross Hatching

Hatching and cross hatching is a good way of working loosely and developing various styles of texture in your do the job. This pencil stroke consists of the laydown of lines parallel to each other. You can fluctuate the thickness, width among and the stress of these lines. You can also then do a cross hatch which is one more layer of hatching overlaid at a right angle across the original layer. Free circles are also a great way of very actually developing extra looseness in your operate. It also builds up an effect pretty quickly. At the time yet again you can change the stress and the size of your circles doing work both clockwise and anti clockwise. This is terrific for unfastened curls like in a poodle or for illustration on this sheep.

Lisa Ann Watkins -
Lisa Ann Watkins – Wallis

Hanging stroke

The stroke most affiliated with producing fur texture is the placing or tapered stroke. As with the other strokes you can differ the stress, route and also most importantly the size of these strokes. This will create a myriad of unique fur textures. Use a business stress at the foundation of the stroke and then simply carry and flick absent to generate the taper. This is absolutely a single to apply and to merge with the other strokes mentioned over.

Apply makes fantastic and it also can help to develop your self-confidence in your get the job done which in switch shines via in the completed piece. Aura right here is a perfect illustration of a mix of scumbling strokes for the eye, back and forth for the chunks of fur and then a lot of, many high-quality tapering strokes for the texture.

Lisa Ann Watkins - Aura
Lisa Ann Watkins – Aura

Embossing

Image of embossing technique

One spin on these strategies is to substitute your pencil for a stylus and then you can indent these marks into your aid forward of adding any pigment. This can then guide to even more texture and depth to your work. The greatest way to master far more is to consider a glimpse at the video clip below to perspective all of these strokes in action.

Watch the video

Look at a bonus video about surfaces

As you can see from the details so much, there is considerably that can affect the finish result of a work established applying color pencil. Putting it all with each other let’s take a glance at just one final variable that is as massive a part as that of our alternative of pencils to use. This is the paper or guidance that you opt for to use. Many thanks to the invention of issues like grounds and primers it implies that today you can use pencils on any area from wooden to steel. In this remaining video of the sequence I will how you a couple of of the discrepancies amongst functioning on some of the finest recognised papers utilized with color pencils now. These are usually referred to as either clean or textured papers and I also include things like the difference among doing work on the two traditional white as well as black.

You may well be fascinated in my other site article about My Vital Derwent Pencil Range & The Color Pencil Stress Exam.


Lisa Ann Watkins BA(Hons), AFC, CPCAM, UKCPS is properly recognized in the environment of coloured pencils as a multi award profitable artist & tutor

In July 2017 Lisa set up her first formal teaching channel on Patreon. Lisa creates in depth videos & prepared tutorials for her online students each and every thirty day period & now teaches over 300 individuals close to the planet. She has also just released her first e-book with Lookup Press.  Lisa is a member of the prestigious tutoring teams of renowned art educators these types of as the SAA & Patchings Artwork Centre. She works closely with Clairefontaine and Grafix and is an official Brand Ambassador for Derwent Artwork.

You can preserve in contact with Lisa on her website Animal Artwork by Regulation and on her instagram or facebook web pages.