Kei Ito’s solo exhibition Teach Me How to Like This Planet at the College of Maryland’s Stamp Gallery is a somber exploration of generational trauma as a third generation hibakusha (atomic bomb target), and the repercussions of war. Ito’s practice is based in camera-significantly less images, uncovered objects, and textual content-dependent artworks.

Two discovered item-will work develop haunting mechanical appears. “Talking Heads,” is an installation of two analogue radios on chest-superior pedestals with an eerie static noise and sporadic voices that audio like antique radio recordings, wherever “Who will be the up coming sacrifice of peace?” and “Who will be the following sacrifice of war?” is recurring slowly and gradually above and above.

The static, mechanical and human sounds construct an impression of a barren landscape, and the repetition of every single phrase feels both of those unsure and totally hopeless considering that it suggests an unending likelihood of conflict.

LeCrue Eyebrows First Solo Exhibition at Van Der Plas Gallery

When I very first came on LeCrue Eyebrows‘ artworks on the streets of my metropolis, I was struck at at the time by its singular authenticity. Every single piece intrigues, as it exudes a distinctive aura of secret. Visible meditations on these types of common themes as appreciate, reduction and longing, the functions are subtly potent and strikingly attractive.

Not to be skipped is the Queens-based artist’s very first solo exhibition at Van Der Plas Gallery. At once quietly raw and soulfully tasteful, each and every get the job done tells a story – to be freely interpreted by its viewer.  And every piece was established freely and spontaneously, as practically nothing that Lecrue produces is premeditated. The act of painting, itself, is to the artist “an intensive sort of meditation.”

The beguiling image pictured earlier mentioned, “Move with Me,” was fashioned this 12 months with acrylic on canvas.