Do it yourself pinhole digicam features a low-cost way to try substantial format 4×10 film pictures

In this electronic age, why would any critical photographer want to mess all over with a film digital camera? Properly, it is really not just nostalgia. There are still places where by movie can be superior to digital, and 1 of the most evident is substantial-format pictures. 

For this explanation, several landscape photographers wanting to show prints at big dimensions for gallery demonstrates nonetheless use film, as do some commercial photographers taking pictures for big billboards.

The very best film cameras, however, are a very little tricky to arrive by these times, not to mention high priced. And though the to start with big-structure electronic digicam was released in 2018, in the form of the Largesense S911, the most current variation starts at $85,000, which is effectively out of most people’s rate assortment.

It’s intriguing news, then, that David Hancock – a movie photographer, author and YouTuber with more

An introduction to medium format film photography

Medium format film cameras are gaining in popularity again thanks to their improved image quality and a unique look, but there are a few things to know before you consider giving it a try, says Damien Demolder


AP Editor Nigel Atherton shot this portrait of model Amelie Hurley (@ameliehurley) using a Hasselblad 500CM and Ilford FP4 Plus film from Analogue Wonderland. It was lit using natural light with a Lastolite TriFlector. The ’blad was the pro workhorse of choice for decades, and is still probably the most desirable medium format film camera, due to the exceptional build and image quality. Consequently they tend to fetch £1,500 to £2,000 for a good-condition example with a waist-level finder and 80mm lens. Thanks to Derrick Bradfield (DerrickBradfieldPhotography.com) for the loan. Hasselblad 500CM, 80mm lens, 1/60sec, f/5.6, Ilford FP4 Plus

There’s something magical about shooting with a medium format camera, and

5 Frames… Of my return to black and white film images on Kodak T-MAX 100 (35mm Format / EI 100 / Nikon N90 + NIKKOR 80-200mm f/4.)

I am found in La Ceja, a municipality 40 km from Medellín, Colombia’s 2nd town in South The united states. For my return to the chemical process of black and white movie pictures, I dusted off my previous Nikon N90 camera, which I made use of commercially in combination with the Nikon F4 in the previous ten years of the 20th century, and, shock, it doesn’t seem to be to have any troubles soon after it is almost 20-yr hiatus.

I equipped him the manual Nikkor 80-200 f / 4. lens, outstanding and sharp lens, these are the success with Kodak T-MAX 100 film, movie that I experienced stored in my fridge, obtained about 2 many years ago. I also experienced to discover my developer tanks, spirals, timer, obtain the advancement tables, obtain the chemicals, put together them, package them and bring them to doing the job temperature to enterprise

Photographing wildlife with 4×5 substantial format digicam and expired movie

These times, for sporting activities and wildlife shooters, it appears to be the scaled-down sensor cameras are frequently favoured for the “extra reach” with extensive lenses. Most wildlife shooters I know, at the very least up till the times of mirrorless, ended up capturing quick APS-C DSLRs like the Nikon D500 and Canon 7D Mark II. Some have switched to Fuji and even Micro Four Thirds mirrorless.

But for some photographers, even larger is constantly far better. And that absolutely looks to be the circumstance for Markus Hofstätter. We have highlighted Markus a bunch of situations right here on DIYP for his soaked plate images, but making an attempt to shoot wildlife on a 4×5 significant structure digital camera, particularly with expired movie is surely a little… more.

Markus has been following a loved ones of area swans for a couple of several years now. They see him